The assignment task is to create a mythical creature using your own images or stock imagery from Google of animals and combine them in Photoshop. The mythical creature must include a unique name and a 4-5 sentence paragraph describing it’s environment, diet, prey or predatory, etc…
Using the LAYERS and MASK you could even insert other pictures (or portraits of other people) into another face.
Adobe Photoshop already comes pre-loaded with several BRUSH options. So far we have just used a round soft or hard edge brush but for this assignment we will load a custom brush that represents SMOKE.
Please follow the directions given to complete the 6 Smoke Brush images.
We will also use the same technique using a PARTICLE brush and complete 6 Particle Brush images
Combining multiple images to create a photographic illustration is the goal of this assignment. Fusing photographs of your choice should depict a clear vision and creativity.
When Warhol began to experiment with screenprinting in the 1960’s, the practice was not a widely used medium. It was a lengthy process that required an exorbitant amount of patience and a keen eye for detail. It was also not unanimously understood as an art form, due to the interference of a machine, which created skepticism by many whose traditional views of art required direct contact between the artist and his choice medium. The replication of pop figures and celebrities was done in a variety of colors and mass produced into large panels.
Assignment: You will take 6 images and create a panel of Warhol inspired digital silkscreen panels.
graphite pencil and colored pencil options
MAKING A CLONE
Using the Photoshop Layers and MASK techniques learned previously we will be able to combine multiple photographs as layers and reveal the CLONES.
By taking multiple photos with your body in different areas of the frame we will combine them in Photoshop. Start with two images and drag one on top of the other. Add a mask to Layer 1 and paint black into the mask to hide the area where your body is located in the Background layer. Once done please flatten the layer and then repeat with the next image.
GROUP DISCUSSION GUIDE
In your Photography Teams answer the following questions below and SCRIBE post to your website
1. What human rights issues are illustrated in the film?
2. In the beginning credits of the film, we see images of the children’s eyes looking
down on images of the red light district. What themes do these images reflect?
What does it tell the viewer about the children?
3. What are the changes in the children’s outlook and personalities when they are
taken out of the brothel to the beach and zoo?
4. If these children were taken out of the brothel environment permanently, do you
think that they could fully recover from the injustices and trauma that they have
previously faced? Why? Why not?
5. If life in the brothels is all the children have ever known, then how do they know
that it is not how they want to live? If it has become the norm, then how do they
know that it is not normal for a child to grow up in that environment? Are we born
with an internal human rights’ radar? Is awareness of human rights a part of human
6. Why did Zana become so involved with these children? What lessons did Zana
learn throughout her journey? There were times when Zana seemed to get very
frustrated with the bureaucracy in India. What do you think kept her going?
7. Zana is not just documenting these children, but she is enabling them to document
what they see around them. What opportunity does this provide for them?
On your own please respond and explain your answers (THIS IS NOT FOR YES/NO ANSWERS!)
• What does it mean to have the right to education?
• What challenges do these children face in claiming their right to education?
• Should the possibility of being HIV positive affect your right to an education?
• Should your economic or social status affect your right to an education?
• Should being the child of a sex-worker take away that right?
• Explain your answers.
The portrait lighting 101 assignment will teach you how to use both natural and artificial (FLASH) lighting sources to create professional looking and beautiful portraits.
Portrait photography is one of most common forms of photography.
Portrait photography, which is also called, more often than not, portraiture, is the art of capturing a subject (in this case, a person or a group of people) in which the face, facial features as well as facial expressions are made predominant.
The portraiture photographers aim is to focus on the person’s face. They aim to give emphasis on the face of the person because this will also be the focus or the emphasis of the photograph. This does not mean, however, that the person’s body or even the background will no longer be included. Under portrait photography, these can still be included in the photo by the portrait photographer but again, the focus or the emphasis should be on the person’s face, facial expression and even distinct facial features.
There are no boundaries or rules when it comes to portrait photography. Truth be told, that’s what makes portrait photography easy and difficult at the same time! Easy because just about anybody with a point and shoot camera can do a portraiture but difficult because when you need a professional portrait taken, you must rely on professional portrait photographers…That is YOU!
NATURAL LIGHT versus ARTIFICIAL LIGHT
Learning the techniques for both styles of portrait lighting are invaluable. the ability to take your subjects both into a studio and outdoors allows for a true mastery of light. After all that’s what photography is, controlling light, capturing reality and imagination. When capturing portraits, one of the first decisions you need to make is what kind of light you want to use. Some photographers prefer using natural light. It’s no-nonsense, relatively easy to work with and it can produce excellent results. Other photographers opt instead for using artificial light, oftentimes trying to recreate a somewhat natural look, but with more flexibility than you have when working with available light. After all, the sun doesn’t produce great light all the time. Each approach has its pros and cons and are viable options for portraiture.
The natural light portraits will be taken using a 5-1 reflector. You will bounce light using the gold, silver, white or black surfaces. There is also a diffuser that allows you to face the sun and soften the light on your subject.
The use of FLASH photography will allow you to control light with precision and create mood and emotion with ease. This will be available using both portable flashes and in class studio strobe flash heads.
PORTRAIT LIGHTING STYLES
There are FIVE major portrait lighting styles we will cover. SPLIT, LOOP, BUTTERFLY, REMBRANDT, & MONSTER.
Like its name, split lighting splits the face exactly into equal halves with one side being in the light, the other in shadow.
PROFILE using SPLIT LIGHTING
Butterfly lighting is named for the butterfly shaped shadow that is created under the nose by placing the main light source above and directly behind the camera.
Loop lighting is made by creating a small shadow of the subjects noses on their cheeks.
Rembrandt lighting is named after Rembrandt , the well-known Dutch painter. Unlike loop lighting where the shadow of the nose and cheek do not touch, in Rembrandt lighting they do meet which, creates that trapped little triangle of light in the middle.
Monster Lighting is shining a light up under the face. Like when you are telling horror stories around the fire, holding the torch in a certain way so that you seem scary.
Using both the natural light with reflectors you will take 5 natural light portraits using your favorite lighting style.
Using the indoor and outdoor flashes you will take 5 artificial light portraits with the five major portrait lighting styles (1 Split, 1 Rembrandt, 1 Loop, 1 Butterfly, 1 Monster)
Combine your favorite portrait lighting styles and take 5 of your best portraits