OH SNAP! WORD (ALPHA PHOTOGRAPHY)

For this assignment you will look for naturally occurring letters or manufactured products where letters appear. NO SIGNS, CLOTHING, BILLBOARDS…etc. Observe the worl around you and using the cameras on campus and at home do your best to find letters that will form words. We will create the words when we upload to your wordpress site.

GOAL: Photograph letters you find and create 5 words (minimum of 4-5 letters per word)

Smoke Effect Brush

Adobe Photoshop already comes pre-loaded with several BRUSH options. So far we have just used a round soft or hard edge brush but for this assignment we will load a custom brush that represents SMOKE.

joceline-smokepaola-smoke

Please follow the directions given to complete the 6 Smoke Brush images.

COOL DECAY EFFECT_2018

We will also use the same technique using a PARTICLE brush and complete 6 Particle Brush images

omfg

4-32img_5164

WATERCOLOR EFFECT

watercolorone

For this assignment you will be learning more about the BLEND MODES for LAYERS. Provided for you are a set of digitally scanned sheets of watercolor paper and a raw watercolor paper. We will use the BLEND MODES Screen, Multiply, Darken, and Overlay to begin. Screen allows the watercolor to be visible though only the dark areas of your photograph and Multiply allows you to see it though the white areas. watercolorportrait_celeste

WaterColorSteps

CLONE PHOTOGRAPHY CLONE PHOTOGRAPHY CLONE PHOTOGRAPHY

img_6928

MAKING A CLONE

Using the Photoshop Layers and MASK techniques learned previously we will be able to combine multiple photographs as layers and reveal the CLONES.

clone_2

By taking multiple photos with your body in different areas of the frame we will combine them in Photoshop. Start with two images and drag one on top of the other. Add a mask to Layer 1 and paint black into the mask to hide the area where your body is located in the Background layer. Once done please flatten the layer and then repeat with the next image.

BORN INTO BROTHELS: Documentary Film

KidsShooting2

https://tubitv.com/movies/506267/born-into-brothels-calcutta-s-red-light-kids

GROUP DISCUSSION GUIDE

In your Photography Teams answer the following questions below and  SCRIBE post to your website

1. What human rights issues are illustrated in the film?

2. In the beginning credits of the film, we see images of the children’s eyes looking
down on images of the red light district. What themes do these images reflect?
What does it tell the viewer about the children?

3. What are the changes in the children’s outlook and personalities when they are
taken out of the brothel to the beach and zoo?

4. If these children were taken out of the brothel environment permanently, do you
think that they could fully recover from the injustices and trauma that they have
previously faced? Why? Why not?

5. If life in the brothels is all the children have ever known, then how do they know
that it is not how they want to live? If it has become the norm, then how do they
know that it is not normal for a child to grow up in that environment? Are we born
with an internal human rights’ radar? Is awareness of human rights a part of human
nature?

6. Why did Zana become so involved with these children? What lessons did Zana
learn throughout her journey? There were times when Zana seemed to get very
frustrated with the bureaucracy in India. What do you think kept her going?

7. Zana is not just documenting these children, but she is enabling them to document
what they see around them. What opportunity does this provide for them?

On your own please respond and explain your answers (THIS IS NOT FOR YES/NO ANSWERS!)

• What does it mean to have the right to education?
• What challenges do these children face in claiming their right to education?
• Should the possibility of being HIV positive affect your right to an education?
• Should your economic or social status affect your right to an education?
• Should being the child of a sex-worker take away that right?
• Explain your answers.

Levitation Photography

jasmine-flotando

Levitation Photography

You may have not heard of the terminology, but you must have definitely seen some stunning levitation photography on the internet. In levitation pictures, everything seems to be defying gravity. The model is floating, the objects around are floating and everything is floating.

Levitation photography is a simple concept of layer masking in Photoshop. To break it down in simple terms, a picture of the scene is taken without any props and models. Later, several pictures are taken with the model and the props by suspending them in air. Then they are all brought together in Photoshop by layer masking to form one image after eliminating the suspending equipment using the first image of the blank scene

There are two phases to creating a levitation shot. Shooting and post-processing.

img_0853

Shooting

1. Work up a scene

Levitation photography is a creative process. You don’t actually need a pricey camera for it, even a basic point and shoot camera will help you create a good levitation photograph. Just work up a good scene. Think of various different positions in which you can make your model float in the air and how is it that you will do it. Normal methods which photographers use to suspend their model are:

  • Using stools, tables, chairs or any other furniture for support.
  • Using ropes. Use real strong ones so they can support the weight of the model.
  • Using a trampoline or jump method, ask your model to jump up in the air while making the desired pose. Use burst mode to capture shots in succession.
2. Set-up your camera

Apart from the trampoline method, if you are using any other support methods to keep you model suspended in the air, then you will have to use the tripod. Set your focus on the model and compose your scene to start shooting. Before you start taking pictures of the model, it’s best to take a picture of the blank scene.

It’s a good strategy to include some props as well in your picture. It creates a better impact and adds to the story behind your scene.

Once you have taken all the necessary shots, move on to processing your images and creating your levitation photograph.

gisselle_lev_1

Processing

  1. Import all your images in Photoshop. You will be moving the image with props and subject levitating on to the blank background. Notice the photo’s are in different tabs. Follow the instructions given.
  2. https://www.youtube.com/watch?v=Nyuyo9AXGl0

PHOTOGRAPHIC PRINCIPLES OF DESIGN

BALANCE

Just like you wouldn’t eat your three meals of the day in the morning, you don’t want to pack all your elements in only one area of your composition. That’s what balance is: making sure that the visual weight is equally distributed in your design.

To be precise, there are three types of balance:

  • Symmetrical balance: The elements of one side of the composition are strictly similar to those of the other side. This option naturally evokes classicism and constancy – like the pillars of a Greek temple.
  • Asymmetrical balance: The elements on both sides are different, but still give a feeling of having the same “weight”. This is achieved by playing with the colors, textures, shapes and positions of the items. For example, a small object can balance a bigger one if its color is darker, or its texture is more contrasted. This type of balance evokes modernism and vitality.
  • Radial balance: The elements are equally positioned all around the central point of the design, like if they were radiating out from it. This option gives a strong sense of life and dynamism.

EMPHASIS

It occurs when an artist creates an area that is visually dominant in the composition. It’s often achieved by means of contrast, but not exclusively. Every design should incorporate a primary element like this, known as a “focal point”, that will serve as a door through which the viewer can enter the composition.

RHYTHM & MOVEMENT

Life is like a riding a bicycle. To keep your balance, you must keep moving”, once said Einstein. The exact same goes for your composition. For your viewers to enjoy it to the fullest, they have to “move” within your design. This is why a good creation always incorporates a path, which seamlessly leads the eye from one element to another, while communicating the proper information.

REPETITION OR PATTERN

Repetition = boring? Think again. A repeated element can create a pattern that is highly satisfactory. Repetition helps to create consistency, which is crucial when it comes to enforce the unity of your composition. Pattern or rhythm is simply repeating an element in such a manner. This will cause the viewer’s eye to move around to each element.

UNITY

Unity in design exists when all elements are in agreement. It creates a sense of completeness, and completion. To achieve this precious state of harmony, the designer needs to make sure that every element really belongs to the composition, with a specific place and role. Nothing should be useless or placed randomly.

PROPORTION

Proportion is the visual size and weight of elements in a composition and how they relate to each other. Proportion is using the size of an object to give it more or less importance. Proportion can be achieved only if all elements of your design are well-sized and thoughtfully placed.

VARIETY

Variety is exactly what it sounds like, having variety in your elements. Combines different shapes, forms, textures, values and sizes to create interesting compositions.

GOAL: You will create a set of 5 photographs for each Principle of Design. Please title your assignment Principle of Design then type your principle and it’s definition along with your 5 photographs the represent the principle of design visually. There are 7 Principle’s of Design so you should have 35 wonderful visual examples.